Canon C300 MkII
| Duration | Rate |
|---|---|
| 1 day | £95.00 |
| 3 days | £190.00 |
| 10 days | £325.00 |
The Canon EOS C300 Mark II has long been regarded as one of the most dependable and versatile cinema cameras ever produced. Found on everything from documentaries and broadcast productions to commercials and corporate films, it's a camera that earned its reputation through reliability, excellent image quality, and an incredibly practical design.
At the centre of the C300 Mark II is a Super 35 sensor that produces a rich, natural image with the colour science Canon has become famous for. Skin tones look fantastic straight out of camera, highlights roll off smoothly, and the overall image has a cinematic quality that still holds up exceptionally well today. It's a camera that many cinematographers continue to choose because of how easy it is to achieve beautiful, natural-looking results.
One of the biggest strengths of the C300 Mark II is its usability. Everything about the camera feels designed for real production work, from its compact form factor and modular design through to its professional monitoring and audio capabilities. Whether you're working solo on a documentary or as part of a larger crew on a commercial shoot, the camera integrates seamlessly into a wide range of workflows.
Videographers particularly appreciate Canon's renowned Dual Pixel Autofocus system, which remains one of the most reliable autofocus systems available in a professional cinema camera. For interviews, documentaries, corporate productions, and gimbal work, it provides smooth and accurate focus tracking that can significantly speed up production.
The camera records in Canon XF-AVC and offers up to 4K recording internally, with Canon Log profiles providing excellent flexibility in post-production. With approximately 15 stops of dynamic range, it captures impressive detail in both highlights and shadows, making it well suited to challenging lighting conditions.
Using Canon's EF mount, the C300 Mark II is compatible with a huge range of lenses, including Canon L-series glass as well as third-party EF mount options from manufacturers such as Sigma, Zeiss, and Tamron. For many productions, this makes it an easy addition to an existing Canon lens ecosystem.
The C300 Mark II remains a favourite among filmmakers who value dependable performance, beautiful colour science, and a camera that simply works day after day. It's a proven production tool that continues to deliver professional results across documentary, commercial, broadcast, and corporate filmmaking.
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