Tiffen Black Glimmerglass Filter Set 4x5.65" (1/4, 1/2, 1, 2, 3)

Black Glimmerglass filters have become a favourite on feature films, television dramas and commercial productions thanks to their ability to take the edge off modern digital sensors without making an image feel noticeably soft. They gently smooth skin tones, reduce the appearance of fine imperfections and introduce a pleasing glow around highlights, helping create a more natural, filmic aesthetic straight out of the camera.

The range of strengths makes the set suitable for a wide variety of productions. The lighter filters, such as 1/4 and 1/2, provide a subtle enhancement that's perfect for interviews, corporate work and commercials, while the stronger 1, 2 and 3 filters produce progressively more noticeable diffusion for drama, music videos and stylised productions.

Supplied in the industry-standard 4x5.65" format, these filters are compatible with professional matte boxes such as the Arri LMB 4x5Arri Clip On Matte Box LMB 4x5The ARRI LMB 4x5 is a professional 15mm rail-mounted matte box designed for film and television productions of all sizes. Supporting industry-standard 4x5.65" filters and featuring a swing-away design, it's ideal for productions using ND filters, graduated filters, polarisers and diffusion filters while providing excel...  and MB-19Arri Production Matte Box MB-19The ARRI MB-19 is a professional studio matte box designed for larger cinema camera builds used on feature films, television dramas and commercial productions. Compatible with both 15mm and 19mm rod systems, it offers comprehensive filter support, adjustable light control and the robust construction expected from ARRI'... , making them suitable for everything from lightweight cinema builds through to full studio camera packages.

For cinematographers looking to introduce a softer, more flattering and cinematic character without sacrificing detail, the Tiffen Black Glimmerglass filters remain one of the most widely used diffusion filter sets in professional filmmaking.